Posts Tagged 24 Hour Inspire

The 24 Hour Inspire 2017

This year will be our fifth 24 Hour Inspire.  I would never have believed, if anyone had told me back in 2012 when we were planning the first one, that we could achieve anything like this.  We really had no idea what we were doing, and it’s thanks to the support of colleagues at the University who did know what they were doing when it came to events management that the first lecture marathon went so smoothly, and gave us the confidence to carry on.

The basic format hasn’t changed – 24 hours of talks on everything under the sun, all pitched at non-specialist audiences.  Each year there’s more in the way of fringe activities – art, poetry, music and more – and we have a pop-up radio station broadcasting throughout.

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Of course, most people won’t do the full 24 hours.   If you’re in the vicinity, dip in and out, come for just one talk, or as many as you wish.  If you’re not, listen in to the radio station (there’s a taster here: https://www.mixcloud.com/24HrInspire/24-hour-inspire-warm-up/)

As you’ll hear in the podcast, the 24 Hour Inspire is supporting the University’s We are International campaign.

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It’s at the heart of what a University is about – the sharing of knowledge, ideas, and expertise, regardless of borders and nationalities and across all of the barriers of language, religion and politics.   Our speakers, the MCs who will introduce them, the volunteers who will sell the tickets and the coffee, come from all over the world.  And many of those who are from the UK have spent part of their working lives overseas.

Not only that, but some of our talks reflect those international values – Paul Collini’s lecture on TB in the 21st century is based on work he undertook in Ghana.  Kate Shaw, who did her doctorate in Sheffield, is now based in Italy and works for Physics without Boundaries, and will be talking about their work in Nepal.  And whilst we start with a celebration of Sheffield (city of art, beer and music), our closing talk will take us to the Zaatari refugee camp in Jordan.

Over the last few years, this event has raised significant funds for a number of cancer charities.  This year the beneficiaries will be Weston Park Hospital Cancer Charity and Teenage Cancer Trust.  Most of the funds are raised on the day, through sales of wristbands and refreshments, but you can also donate by texting INSP24 £10 (or whatever you wish to donate) to 70070.

It’s been called ‘the Glastonbury of lecturing’…

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and it’s a joy.  If you can, be there.  If not, do follow what we’re doing on social media, and on Radio Inspire (broadcasting from around 15.00 on 30 March), help us raise lots of funds for our chosen charities .

Be inspired.

 

 

 

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Desert Island tunes

Finally, I get to do my Desert Island discs.  Kirsty Young appears to have lost my contact details, but no matter, because this year the 24 Hour Inspire featured a pop-up radio station, and I was asked to choose 6 tracks, a book and a luxury, and to talk about them with interviewer Chella Quint.

But how to pick just 6 tracks?  It would not, realistically, have been easier if it was the BBC 8.  Or even 12, or 20… Not when music has been such a huge part of life, not when it matters so much.

Listening, as I often do, to contributors to Desert Island Discs, I can see a range of different approaches to the task of selection.  Some take the biographical approach – linking the tracks explicitly to key points in the life story they are describing.  This is interesting, and enriching to the biography, but it may mean that the music doesn’t stand up in its own right, and has purely nostalgic value.  Some just pick 8 tracks they kind of like – but you can tell in this case that music is not a passion, not an obsession but a pleasant accompaniment to other things.  They have not agonised about those choices, they haven’t felt as though they have personally betrayed the artists who don’t feature in the final cut.  That’s fine, but I can’t be like that.

When music really, really matters, the problem is not finding 6 or 8 or however many tracks, it’s finding a rationale for selecting for this particular purpose, on this particular date and time.  That’s how I come to terms with it – on another day, in another context, I could and likely would have an entirely different set of tracks.  So, what was my approach this time?

First off, I wanted to be able to say something about each track.  Not just, this is brilliant, I love this, listen to this bit (although in a normal music-listening context there is a lot of that).  But something about why it matters to me, how I encountered it, what it does to me.  Secondly, the context.  It’s the 24 Hour Inspire, so the music I pick has to be something that moves me, challenges me, disrupts me, inspires me.

Even outside this particular context, I can’t be doing with music that is merely pleasant.  It has to move me – that can mean intellectual stimulation (a Bach fugue, for instance, or much of European postwar ‘classical’ music), emotional impact (much sacred music, even though I’m a humanist, and a host of songs that for some reason – lyrics, context, something in the tune, something in the vocals – make me well up or want to punch the air), physical effect (heavy grungy sounds, infectious dancey sounds, music that makes me move my feet, my hips).  These are not mutually exclusive categories, of course, as my choices will demonstrate.

TRACK 1: SONGHOY BLUES – SOUBOUR

There had to be music from Mali.  Because that’s where so much of the music I love was born – think Muddy Waters, think Hendrix – before it was transported across the oceans on the slave ships, asserted its power as it blended with the folk music and hymn tunes it encountered in the Americas and then made its way back home again.

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Songhoy Blues grew up listening to the rich Malian tradition, and griots such as Ali Farka Toure – and to Muddy Waters and Hendrix.  You can hear all of this in their music.  I’ve written previously about some of the reasons why I feel such a strong emotional connection with West African music, and about the other powerful dynamic in contemporary Malian music – the resistance to the murderous jihadist bigots who invaded the north of the country, and banned football and music, inflicting brutal punishments on those who failed to comply.  Songhoy Blues’ sound is joyous, a powerful riposte to the bigots, a reminder that the ‘grey zone’ as they call it is full of colour, full of melody, harmony, rhythm, full of beauty and warmth.

And this year of all years, there had to be Bowie.

TRACK 2: DAVID BOWIE – SUFFRAGETTE CITY

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This one goes back to my first encounter with the Star Man, which I wrote about on the day his death was announced.  It’s not necessarily my favourite ever track but it’s deeply significant as the start of a relationship that has continued throughout my teenage and adult life, and will continue, despite his death, because all of that music is still there to enjoy and explore.

Crimson were part of my teenage years too.

TRACK 3: KING CRIMSON – RED

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I’ve always said that Red was my favourite album from the 70s manifestation of the band, and often said that ‘Starless’ was my favourite track on that album.  But for desert island purposes, Starless would be so wrong.  It could actually feature in a ‘songs that must never be played during a lonesome, marooned and possibly hopeless sojourn on a desert island’ list.  Instead I picked the title track, a grungy heavy instrumental that I always loved, that I remember listening to, drinking cheap cider, sitting on the floor at my boyfriend’s house, and rocking out.

Kirsty MacColl would have to be with me on the island.

TRACK 4: KIRSTY MACCOLL – FREE WORLD

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I imagine she’d have been great company in person – certainly the musicians she collaborated with talk about her with enormous affection and warmth, but also respect.  She certainly deferred to no one – Johnny Marr tells a lovely story of her taking Keith Richards to task for getting something wrong on the guitar, and Keith accepting it meekly…  Kirsty’s songs can be funny, poignant, sharp (sometimes all three), her voice is gorgeous, and she’s one of a number of women in rock/pop music who have managed to make their own rules, to do things their way, against the odds.    This song makes me want to punch the air and change the world.

Another voice of rare beauty – actually one of the loveliest voices ever, anywhere:

TRACK 5: SAM COOKE – A CHANGE IS GONNA COME

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This song is heavy with the hope and the hopelessness of the early sixties civil rights movement – people holding on to the possibility of change whilst being confronted daily with implacable  hostility to change.  I think of that – but I also think of the fact that an African-American currently sits in the White House, and for all the injustice and inequality that remains, for all the entrenched prejudice, things can and do change.  I would never have believed, twenty years ago, for example, that gay marriage would be legal in so many parts of the world.  And for all that there are still so many places where to be gay is to be outside the law and in danger of violence, it happened without that much fuss here, and in other countries, in the end.  Even outside the social justice activist world, most people seemed to say, tacitly or otherwise, good on them.  I have to remember and have faith that every time things seem hopeless, that a change IS gonna come.

And finally to the least well-known track of my six.

TRACK 6: FLOBOTS – WE ARE WINNING

The Flobots are hard to pin down – the highly political lyrics, spoken and sung, are backed not just with guitars and drums but with viola, cello and trumpet and the effect is intense and powerful.  This track is marvellously idealistic, optimistic, hopeful.  We are Winning.  It doesn’t always (often) feel like it, but it’s something to hold on to, something to keep you keeping on.  It speaks to my belief that what we do matters, precisely because this world is all there is.  As Joss Whedon put it, in Angel:  “If there’s no great glorious end to all this, if nothing we do matters then all that matters is what we do. Cause that’s all there is. What we do. Now. Today.” And there’s a particular pertinence in these lines in the context of an event that celebrates learning, teaching and research:  There is a war going on for your mind.  If you are thinking, you are winning.

We are building up a new world.
Do not sit idly by.
Do not remain neutral.
Do not rely on this broadcast alone.
We are only as strong as our signal.
There is a war going on for your mind.
If you are thinking, you are winning.
Resistance is victory.
Defeat is impossible.
Your weapons are already in hand.
Reach within you and find the means by which to gain your freedom.
Fight with tools.
Your fate, and that of everyone you know
Depends on it.

(Flobots, 2008)

Selecting my six tracks might have been tricky, painful even.  I feel I owe a personal apology to so many artists I love but have left out, and if I were to do this again (I ‘m more than willing, guys) I could easily come up with another six, and another, and another…

But these felt good.  The 24 Hour Inspire is all about inspiration (obviously), and I feel inspired when I hear these songs.  I feel energised, and optimistic, and I want to dance, and to punch the air and change the world.  I hope at least some of the songs will affect at least some of you in similar ways.  I’ll add the recording of the interview when it’s available. Meantime, enjoy!

 

 

 

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The 24 Hour Inspire

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We’re in the final run-up to an event that somehow or other I have found myself organising, and which – for all the panics, headaches and hard work it entails – is a labour of love, and the thing I’m proudest of in my career.

First caveat is that whilst I am the chair of the charity and I drive the planning of the event, actually putting it altogether is the work of many people.  My annual thank you list is only marginally shorter than the credit sequence for a Marvel superhero movie.

Second caveat is that, given the scale of the event – 49 speakers, delivering half hour talks over a 24 hour period, with a range of fringe events – the panics and headaches are very few, and the hard work by and large doesn’t feel like hard work.

It all started with a friend and colleague being diagnosed with a terminal cancer.  This particular friend and colleague was one of those people who was not only respected but held in enormous affection by those who he taught and who he worked with – he inspired people, and the news of his illness hit many, many people very hard.  I remember calling the admin and technical staff in the department together to tell them the prognosis, and their shock and tears – and anger at the disease that was claiming him.    Right from the start he was determined to do something positive with the utterly lousy card he’d been dealt.  And he did.

He had far less time to do anything than he – or we – had hoped.  All the more reason for us to ensure that we did something creative, joyous, inclusive and inspiring, in his name.

monifaThat first year it was incredibly personal. A fortnight after the funeral we were still raw with grief and one of our speakers commented on the intensity, a kind of tension that underscored the celebratory mood that we had, nonetheless, achieved.

It’s different now, of course.  Many of our speakers, most of our volunteers, never met Tim.  But the event has taken on a life of its own. It is – and was even that first time – a celebration of what the University is all about.  There’s a lot of cynicism about institutions like ours – we have to jump through so many government initiated hoops, we have to somehow be viable financially, it would not be surprising if the ideals that we proclaim were a bit tarnished and compromised.  But acknowledging all of that, from all of my experience as a member of staff, as a student, I know that those ideals are still burning brightly.

Give people a chance, an excuse almost, to demonstrate and to share the passion that led them into teaching and research in the first place, and they seize it.  When we ask people to take part in the 24 Hour Inspire, they so often respond with a Yes, and.  Yes, I will do a half-hour talk, and would you like me to bake some cakes as well?  Yes, and why don’t you ask my colleague A, because he/she is a brilliant speaker? Yes, and how else can I help to make this a success?

That applies whether they are Professors, Pro-Vice-Chancellors and the like, or PhD/MA students at the start of their academic careers.

So on 12-13 May, 49 speakers from across the disciplines – engineers, lawyers, physicists, historians, medics and more – will be sharing their ideas, their research, their love of their subject with a diverse audience.  Between midnight and 6 am speakers, and many members of the audience, will be pyjama clad.  True, some members of the audience may actually be asleep, but I believe that’s not unknown in daytime lectures either…

Other colleagues will be hosting a pop-up radio broadcast, featuring interviews, Desert Island Discs, a quiz, and lots and lots of music. Some have contributed artworks for a small exhibition, others may be busking live in the foyer.

Of course it has another purpose, alongside the celebration and sharing of knowledge.  We’re raising funds, this year for the Teenage Cancer Trust and Impact Young Heroes, two organisations who work with young people with cancer.  Everyone who buys a wristband, a cupcake or a book, everyone who donates on line or on the day, contributes to that invaluable work.  Since Tim set up Inspiration for Life in 2012, we’ve donated £17000 to a range of cancer charities as well as to the Snowdon Trust who provide grants for students with disabilities.  I’m very proud of that.

But most of all I’m really excited about what’s going to be happening this Thursday from 5.00 pm.  I know that by 5 pm the following day I will be exhausted, but I will also be exhilarated, and that by the following day, I’ll be starting to think about the 2017 24 Hour Inspire…

Do pop in for a bit, if you can.  If you can’t, follow us on Twitter, and tune into the radio station.  It’ll be a blast.  It’ll be an inspiration.

@inspire4L

#24HrInspire

https://inspirationforlifeblog.wordpress.com/

http://www.inspirationforlife.co.uk

https://www.facebook.com/Inspiration-for-Life-340350772727621/

 

 

 

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24 Hour Inspire, 16-17 April 2015 – Programme

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If anyone had told me a few years back that I’d be organising anything like the 24 Hour Inspire, I’d have thought they were delusional.  But we’re about to hold the third such event – 24 hours of non-stop lectures on all sorts of topics – and it’s one of the things I’m proudest of in my professional life.  It’s not just the funds we raise, though I’m delighted to be part of raising money for charities like the ones we’re supporting this year, who provide end of life care for cancer patients or support young people with cancer.  It’s the way that the event makes connections across and beyond the University which is my alma mater (twice) and my workplace, the community in which I feel so much at home.  It’s the way that it taps into such a deep seam of goodwill, that people respond with such enthusiasm and generosity to our requests for help, often offering more than we ask for.  It’s the way in which not only the task group who have been meeting for the last few months to plan and organise the event, but a much wider group of people want it to work, and do whatever it takes to make it work.

I get slightly nervous, of course.  There are so many things that potentially could go wrong with an event on this scale.  But that nervousness is always offset by the recollection that every time something has threatened to unravel, someone has sorted it out.  A speaker drops out at the last minute – a quick tweet to say that we need a replacement, and half an hour later we have one.  It’s a collective effort, and that’s why it’s such a joy.

It emerged of course out of great grief and loss.  But in those 24 hours I believe we’re doing something special, we’re living intensely and revelling in learning, in making connections, in broadening our horizons, and in collaborating.  Twelve sleeps to go now.  I can’t wait.

Come along if you can, for some or all of it.  If you can’t, but wish you could, you can still tweet about it using the hashtag #24HrInspire, and you can donate here:  https://mydonate.bt.com/events/24hourinspire2015

Inspiration for Life

Catherine Annabel Inspiration for Life Introduction and welcome
17:00:00 Professor John Flint Town & Regional Planning Victoria Henshaw – a tribute
17:30:00 Dr Nate Adams Molecular Biology & Biotechnology Throwing spanners at nanobots
18:00:00 Dr Victoria Williamson Music Music for wellbeing: possibilities and promise
18:30:00 Professor Paul White Geography Global population growth – the good news and the bad news
19:00:00 Professor Rowland Atkinson Town & Regional Planning Ecology of sound: the sonic order of urban space
19:30:00 Morag Rose Town & Regional Planning Loitering with intent: psychogeography the Mancunian Way
20:00:00 Professor Claire McGourlay Law Legal aid – what legal aid?
20:30:00 Dr Amanda Crawley Jackson French Post-traumatic landscapes
21:00:00 Professor Davide Costanzo Physics & Astronomy Anatomy of the ATLAS particle detector
21:30:00 Dr Tim Shephard Music Machiavellian sounds: how to rule a Renaissance state with music
22:00:00 Dr Catherine Fletcher History The insider’s guide to Wolf Hall
22:30:00

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2013 – the best bits. And some of the other bits.

 

It has been a funny old year.  Funny peculiar, though not without the odd moment of mirth and merriment along the way.

 

I came back from one secondment to my regular job in January, and went off on the next secondment in December.  This new one is a major change – working for HEFCE, based at home when not attending meetings in various exotic parts of the UK (oh, OK then, Croydon, Birmingham, Manchester, Dorking…).  It’s a fantastic opportunity, and challenges the way I organise my life as well as requiring me to acquire new knowledge and new skills.

 

I graduated, again.  Did the whole gown and mortar board thing which I hadn’t been fussed about when I was 21 and graduating for the first time. And then, with barely a pause, on to the doctorate.  Studying part-time, it’s going to be a long haul, with who knows what possibilities at the end of it, but I’m loving it.

 

In February, a beloved friend and colleague died, and we – his family, friends, colleagues, students – grieved but also worked together to put on an amazing event in his honour, the 24 Hour Inspire.  We raised money for local cancer charities, and have raised more since, through an art exhibition, plant and cake sales and various 10k runs/marathon bike rides, etc.   And we’re now planning the 24 Hour Inspire 2014, and the publication of Tim’s diary.  He will continue to inspire.

 

Culturally, my high points in 2013 have been:

 

  • Chimamanda Ngozi Adichie at the Showroom, talking about Americanah, and Half of a Yellow Sun
  • Peter Hill premiering newly discovered/completed Messiaen at the Upper Chapel (and playing Bach, Berg and Schoenberg too)
  • Arnie Somogyi’s Scenes in the City, playing Mingus at Sheffield Jazz
  • Tramlines – the Enid in the City Hall, Soukous Revelation in the Peace Gardens, Jim Jones Revue and Selecter at Devonshire Green. (And more, but those were the absolute top bits).
  • The 24 Hour Inspire – 24 hours of lectures on life, the universe and everything, including Ed Daw’s blues piano, Rachel Falconer on poetry and birds, Jenny Saul on implicit bias, Claire McGourlay on the Innocence Project, and personal narratives from Brendan Stone and Elena Rodriguez-Falcon.  Plus John Cockburn’s rendition of (What’s so Funny ’bout) Peace Love and Understanding, and my favourite Beatles B-side, Things we Said Today, and more busking from Mike Weir, Graham McElearney and Eugenia Chung.  And more, lots more.
  • Fabulous Beethoven quartets/quintet from the Elias at the Upper Chapel
  • A magical Winter’s Tale at the Crucible
  • Two awesome Britten operas (Peter Grimes and Death in Venice) from Opera North at Leeds Grand
  • New (to me) authors enjoyed this year: Maggie O’Farrell, Louise Doughty, Lucy Caldwell, C J Sansom, Alison Moore, Edward St Aubyn, Rebecca Solnit, Wilkie Collins,  Jonathan Franzen
  • Wonderful new books from authors I’ve enjoyed before: Stephen King’s Dr Sleep and Joyland, Lynn Shepherd’s A Treacherous Likeness, Jon McGregor‘s This isn’t the Sort of Thing…., Robert Harris’s An Officer and a Spy
  • Finally finished Proust’s Sodome et Gomorrhe.  Allons-y, to La Prisonniere!
  • I’ve learned to love Marvel superheroes (Avengers AssembleThorIron ManAgents of Shield!), and have thrilled to The Walking Dead, Orphan Black (virtuoso performance(s) from Tatiana Maslany), Utopia and, of course, Dr Who.
  • Speaking of which, not only an absolutely stonking 50th anniversary episode, but also a fascinating and very touching drama about the show’s early days, with David Bradley as William Hartnell, the sweet and funny The Five-ish Doctors, with Peter Davison, Sylvester McCoy and Colin Baker sending themselves and everyone else up with great affection, and Matthew Sweet’s Culture Show special.  And the Christmas episode
  • Other cracking telly – Broadchurch, Homeland, Misfits, The Fall, Southcliffe, The Guilty, The Americans…  And from across the Channel, not only another masterclass in French profanity from Spiral, but the wonderful The Returned
  • And other top films – Joss Whedon’s Much Ado, Lore, The Hobbit Pts 1 & 2, Lincoln, and Patience (after Sebald).

 

About the blog itself.  It’s been less focused on my areas of research recently, and that will continue to be the case, as I’m working on the PhD.  The odd digression will find its place here – as Tim used to say, tangents are there to be gone off on, and the blog is a good way of nailing those (to mix my metaphors somewhat) and stopping them from distracting me for too long.  I shall be continuing to go on about all sorts of other things that pique my interest.  In particular the blog will continue to be a place where refugee stories are foregrounded, as a riposte to the mean and dishonest coverage which those stories tend to receive.

 

Over the last year, my posting has been somewhat erratic.  I note that I didn’t write anything between March and June (I made up for it in June, however, with a Refugee Week blog-blitz, as well as a piece about Last Year at Marienbad which I still intend to follow up.  That hiatus may have had something to do with being in the final stages of my degree – finishing off my dissertation, and a last batch of essays and presentations.

 

There are so many fantastic bloggers out there, too many to do justice to.  We lost one this year, as the great Norman Geras passed away.  But I’ll continue to enjoy, and to share/reblog That’s How the Light Gets In, Nowt Much to Say, and Futile Democracy, amongst others.  For my research interests, I will no doubt continue to find lots to think about and follow up in blogs from Decayetude and Vertigo.

 

So, thanks to the aforementioned bloggers, to the various people with whom I’ve shared the cultural delights enumerated above, to friends and family who’ve supported me in my ventures and refrained (mostly) from telling me I’m mad to try to do so many things.

 

Thing is, I have a history of depression.  I know that the best way for me to fight that, to avoid sliding back into that dark pit, is to do lots of stuff I care about.  So, not just the job – which I care about, passionately – and my wonderful family, but research, writing, ensuring that we do Tim proud via the charity, and so on.   I am very aware that there’s a tipping point, that if I do too much stuff I care about, given that I also have to do stuff that I have to do, just because I have to do it, the anxiety of having so much going on can itself lead to sleepless nights, which make me less able to cope, thus leading to more worrying and so on and on… It’s all about balance, and about having support when I need it.  So, to all of you who, whether you know it or not, provide that support, and help me to keep that balance, a heartfelt thanks.

 

In particular, over this last year, I’d like to thank:

 

For unstinting support and encouragement through the part-time degree and especially as I reached the final stages – tutors Sophie Belot and Annie Rouxeville, and classmate Liz Perry.  And a special thanks to Chris Turgoose for ensuring that my graduation gown stayed put via an ingenious arrangement of string and safety pins.

 

For support and encouragement to go on to the PhD – the aforementioned Sophie, Annie, and Liz, plus Rachel Falconer, Helen Finch, and my supervisors Amanda Crawley Jackson and Richard Steadman-Jones

 

For their contributions to the work of Inspiration for Life, and the 24 Hour Inspire, and their support in commemorating and celebrating Tim – Tracy Hilton, Ruth Arnold, Vanessa Toulmin, Chris Sexton, John Cockburn, Lee Thompson, Matt Mears and David Mowbray

 

My family, of course, without whom…

 

And, finally, Tim.   I’d have loved to share this year’s triumphs and tribulations with him.

 

Have a wonderful 2014 all of you.

 

fireworks

 

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