Archive for category The City

Furnace Park // an introduction on the cusp of an opening

cathannabel:

Reblogged from Occursus – Amanda Crawley Jackson’s account of the Furnace Park project.

Originally posted on occursus:

In summer 2012, occursus – a loose collective of artists, writers, researchers and students that coalesced around a weekly reading group I had set up with Laurence Piercy from the School of English at the University of Sheffield – organised a series of Sunday-morning walks along unplanned routes in Shalesmoor, Kelham Island and Neepsend. As we looped through the chaotic mix of derelict Victorian works, flat-pack-quick-build apartment blocks, converted factories and student residences, sharing stories and sometimes, quite simply, wondering what on earth we were doing there, without umbrellas, in the rain, we came across the acre and a half of brownfield scrubland we’ve named Furnace Park. In collaboration with Matt Cheeseman (from the University of Sheffield’s School of English), Nathan Adams (a research scientist working in the Hunter Laboratory at the University of Sheffield), Ivan Rabodzeenko and Katja Porohina (founders of SKINN – the Shalesmoor, Kelham Island and Neepsend…

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From contribution to collaboration: Refugee Week and the value of seeing like a city

cathannabel:

A fascinating and challenging contribution to Refugee Week – from cities@manchester

Originally posted on cities@manchester:

by Jonathan Darling, Geography, University of Manchester

Image from Refugee Week 2013

Image from Refugee Week 2013

Today sees the start of Refugee Week 2013, an annual celebration of the contribution of refugees to the UK that seeks to promote better understanding of why people seek sanctuary. Refugee Week has been held annually since 1998 as a response to negative perceptions of refugees and asylum seekers and hostile media coverage of asylum in particular (Refugee Week 2013). Refugee Week promotes a series of events across the UK, from football tournaments and theatre productions to exhibitions and film screenings, all designed to promote understanding between different communities.

Whilst Refugee Week is a national event it finds expression in local activities organised in a range of cities. In part, this is in response to the dispersal of asylum seekers across the UK, meaning that refugees and asylum seekers have been increasing visible in a range of…

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The rebuilding of Paris and its reflection in works by Zola, Verne and Hugo

Originally posted on occursus:

Décombres de l’avenir et projets rudéraux : les métamorphoses de Paris chez Verne, Hugo et Zola

Claudia Bouliane’s recently published MA dissertation is available online as a PDF.

The abstract is as follows :

Between 1853 and 1870, many areas of the French capital are torn down to allow the establishment of new avenues by Baron Haussmann, Paris’ prefect under Napoleon III. These major urban projects have struck the social imaginary and became an object of fascination for literature. This essay is located on the grounds of sociocriticism and seeks to understand how Verne’s, Hugo’s and Zola’s texts interpret the Paris’ new urban conformation. In Paris au XXe siècle (1863) Jules Verne is planning future destructions and, in turn, imagines the strange constructiveness of residual past. Although in exile, Victor Hugo is very aware of urban and social changes under way. In Paris (1867) his writing works to make compatible…

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Michel BUTOR; l’espace entre 2 villes

cathannabel:

Ajoutez votre grain de sel personnel… (facultatif)

Originally posted on LES LIGNES DU MONDE:

On n’est pas le même partout. L’équilibre entre 2 villes ; deux pôles ; et ce qui les relie : un fil de la vierge léger léger : le trajet en train. Il y a longtemps que cette vieille édition rose de 1994 (achetée sur conseil : “tu aimes le train, c’est un roman à lire dans le train, d’autant que tu prends souvent cette ligne” (fut un temps avec arrêt à Firenze, ville non mentionnée il me semble dans le roman)) passe d’étagère en étagère. Donc près de 20 ans après – laissé mûrir le livre, commencé une fois à l’époque, prêté plusieurs fois depuis – la litanie des gares, l’aller pour Rome.

car s’il est maintenant certain que vous n’aimez véritablement Cécile que dans la mesure où elle est pour vous le visage de Rome, sa voix et son invitation, que vous ne l’aimez pas sans Rome et…

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The Original Modern

cathannabel:

cities@manchester on Manchester, the original shock city

Originally posted on cities@manchester:

Grid image of arches -  Brian Rosa

Grid image of arches – Brian Rosa

by Brian Rosa, PhD candidate in Geography

Manchester is a city of superlatives: it was the prototypical “shock city” of the Industrial Revolution, Friedrich Engels and Karl Marx’s model for everything that was abhorrent in the industrial capitalist city, and one of the birthplaces of the labor and women’s suffrage movements.  In its heyday, Manchester was depicted in literature of Engels, Alexis de Toqueville and later the paintings of L.S. Lowry, as an uninterrupted, chaotic anti-landscape of chimneys and smoke, strewn across a featureless topography. Its unprecedented configuration invoked equal parts awe and dread, moral panic, and tempestuous visions of the future. In 1833, Toqueville described the crowded conditions, poorly constructed housing, hulking factories, and environmental degradation of Manchester: “From the foul drain the great stream of human industry flows out to fertilize the whole world.  From this filthy sewer pure gold…

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Pierre Alechinsky et les plans de Paris

Originally posted on LES LIGNES DU MONDE:

Comme je me renseigne sur Alechinsky, sa vie son œuvre, je finis par trouver des dessins sur plans – de Paris (ça me revient : “tu sais Alechinsky, il a utilisé des cartes comme support, ça devrait t’intéresser”). Je sélectionne ici les arrondissements que je connais mieux.

L’arrondissement de ma naissance.

lithographie-estampe-originale-pierre-alechinsky-b9

L’arrondissement du Lycée.

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L’arrondissement de l’université.

lithographie-estampe-originale-pierre-alechinsky-a5

 

Je trouve aussi ces impressions de Cherbourg. Petit résumé en 7 vignettes.

Cherbourg

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Butor and Sebald – brief further thoughts

I’ve written previously about the relationship between Bleston and Manchester, and about the links between Butor and Sebald, and I’ve just been exploring the fascinating collection of essays on Sebald in Melilah, the Manchester Journal of Jewish Studies, alerted by Helen Finch’s recent blog about Sebald’s Manchester.  It’s good to see the link with Butor explored a bit more, but I would have to  take issue in some respects with Janet Wolff’s article, ‘Max Ferber and the Persistence of Pre-Memory in Mancunian Exile’, which I think fails to fully identify the deeper connections between the two writers.

I would agree that Passing Time is not about Manchester in a straightforward way but I think Wolff takes that too far when she says that ‘none of this is about an actual city’, and that Revel’s diatribes against Bleston are ‘the ravings of a neurasthenic, whose debilitated psychological state produces monsters in the environment’. (p. 52)  This is not a new charge – reviewers have in the past diagnosed Revel with depression or schizophrenia. But I’d argue that rather than alerting us to an unreliable narrator, the mismatch reminds us that Bleston is not just Manchester, not just any particular city.  It contains many cities, real and fantastical.

But it is based more upon Manchester in its physical reality than on any other city, and contrary to Wolff’s statement that ‘there are no physical descriptions at all (quite unlike the Manchester of ‘Max Ferber’)’, there are many descriptions of Manchester landmarks, as J B Howitt has shown (in his article ‘Michel Butor and Manchester’, even though Butor takes and uses those features which are relevant to him, and changes or ignores those that are not.

What interests me most, however, is Wolff’s argument that the Manchester of The Emigrants fades into insignificance in relation to ‘another geographical, phantasmic and persistent presence’.

My studies of Butor are concerned precisely with identifying that presence in Passing Time.  More anon.

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cathannabel:

Fascinating piece on place and memory from Annie Harrison

Originally posted on cities@manchester:

Guest blog by Annie Harrison.

This article draws on the work Annie is doing for her MA by Research in Art Practice at MIRIAD, Manchester Metropolitan University and an associated artists’ residency at Lime, an arts and health organization. Annie also works as a Project Assistant in the School of Medicine at the University of Manchester.

My art practice is concerned with place and memory.  Both contribute to our sense of belonging, which in its turn plays a part in social cohesion.  I am particularly interested in how memory is affected by the loss of place, and how the visual arts can aid memory in a rapidly changing urban environment.  In my MA, I am researching the site of the recently redeveloped Central Manchester Hospitals and working with hospital staff to recover what the Swiss artist Christian Boltanski calls ‘small memories’, the memories of ordinary people.

Dickens knew all…

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cathannabel:

Fascinating – another encounter between Paris and the British industrial northern city. Thanks to Gerry for posting this.

Originally posted on That's How The Light Gets In:

Passing through one of the rooms of the Walker Art Gallery recently I happened to notice, in the corner, a small display of photographs – some by Henri Cartier-Bresson alongside others by local photographer Edward Chambre Hardman.  I was surprised to discover that not only had the great French photographer visited Liverpool in the sixties to make a TV documentary about the north, but that he had taken photographs less than half a mile from where I now live. It seems a little fantastical, the idea that the master of the ‘decisive moment’ wandered along Lodge Lane with his Leica.

But it’s true, as one of the photos on display at the Walker confirms.  It’s a picture taken outside Lodge Lane wash-house in 1962. In those days there were still several public wash-houses in Liverpool, where women from the local streets who didn’t possess a washing machine would take their…

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cathannabel:

Some fascinating materials here from Occursus – but the Notation as Art material in particular blew me away.

Originally posted on occursus:

The next reading loop (Wednesday, May 2nd, 7pm, Bloc studios) will be a more experimental workshop, thinking through how a wasteland might be re-thought (and perhaps re-made?) through sound. We’ll be asking not ‘What do we want to see in this space?’, but: ‘What do we want to hear in this space?’ The discussions will feed in to the broader project to develop a live project in a wasteland in the Shalesmoor area of Sheffield.

The session will be led by Adam Denton and Richard Moran.

There is no set text as such for this week; rather, we suggest a variety of materials into which you might like to dip your toes before we start sharing and discussing our ideas!

Notation as Art

Text scores by Christian Wolff

Sonic Art

Stockhausen and the serial shaping of space (particularly the first 74 pages) -

Urban experiments in soundart and sonic space

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