Archive for July, 2012
Thursday 16 July. At 4 in the morning, it is still very dark. The streets are deserted, the doors and windows closed. But on this early Thursday morning, police cars are converging on pre-arranged spots, carrying officers and civilian assistants. They consult their instructions, block the streets. Each small team has a list of names and addresses. Alongside the police vehicles, buses are parked along the pavements, awaiting their passengers. At the appointed moment, the teams go in. They knock. ‘Police – open up!’.
The occupants are escorted to the buses, and taken on to one of two destinations – single adults to transit camps, including a half-built housing estate on the edge of the city, recently cleared of many of its occupants to make room for this influx, and families to a nearby sports stadium. At the latter, no food or water is provided. It’s mid-July, and once the building is sealed, the heat rapidly becomes oppressive. The few working toilets don’t work for long. The people in the stadium are afraid, and some in despair throw themselves from the balconies to the floor below. A few manage to use the general chaos to slip out, provided that the police at the entry are either sufficiently distracted, or willing to be suddenly inattentive. A few manage to get themselves transferred to hospital (this may prove to be only a temporary respite). Once space in the transit camp has been cleared again, the families in the stadium are transported there. Until the trains take them, too, to their final destination.
Thursday 16 July 1942, Paris. The Vel’ d’Hiv round up, named after the sports stadium used to house the Jews who were dragged from their homes that morning and in the hours that followed. Drancy camp, next stop en route to Auschwitz. 13,152 were arrested, of whom 5802 were women, and 4051 children. Some of the adults – less than 3% – made it home after the Liberation, to search fruitlessly for news of their children at the Hotel Lutétia. None of the children came home.
This wasn’t the first round-up of Jews in occupied Paris, but it was the largest yet, and a turning point, both in the persecution and in the resistance to it. It shattered the illusion that in France, the land of liberty, equality and fraternity, nothing too terrible could happen, even under Occupation – an illusion which had led many to register themselves voluntarily, thus providing the information required for the round-up. It showed the extent of collaboration, with the round-up being executed by French police, not by the Germans. And it shattered the myth that the deportations were intended to provide workers for the Reich, when young children, the elderly, the sick, pregnant women, were taken, as their neighbours watched.
François Mauriac wrote in his clandestine publication Le Cahier noir: ‘Entire races are condemned to perish. At what other moment in history have the prisons been so full of innocents? At what other era have children been dragged from their mothers, crammed into cattle trucks, as I saw one sombre morning at Austerlitz station?’. People saw, and some were moved to active resistance by what they saw.
It is 70 years since this event. Do we still need to tell this story?
In 2010 two new films came out which focused on the Vel d’Hiv round up, and the responses (if one sets aside those which focused on the merits or demerits of the films themselves) were polarised. Some critics felt that they were fulfilling an indispensible ‘devoir de mémoire’, particularly in drawing attention to the responsibility (only publicly acknowledged in the 1990s) of the French authorities , whilst audience members spoke of being shocked and overwhelmed. On the other hand, some felt it was counterproductive – that the constant telling and re-telling actually creates ‘une certaine lassitude’, that if the younger generations see ‘remembering’ as a chore, the temptation to forget will become ever stronger.
There’s plenty of evidence that, however much people may have heard about these events, they are still fairly hazy about the detail. When Andreas Whittam Smith wrote a piece for the Independent about how the film The Round-Up was bringing to light hidden events, a letter appeared in the paper arguing that:
- The events concerned were never denied
- Those responsible were executed after the war
- Of the 300,000 French nationals registered as Jews, 80% survived
- Not all the deported children died in the camps, some came back but spoke little of their sufferings
In reality, whilst the fact of the event was not denied, the responsibility of French officials was (a nano-second clip of a gendarme’s cap in Resnais’ Nuit et Brouillard had to be cut before the film was released).
Of those most particularly responsible for the round-up, only Pierre Laval was executed - Louis Darquier de Pellepoix escaped to Spain and died free and utterly unrepentant, and Rene Bousquet was acquitted immediately after the war, and assassinated in 1993, just before he was due to stand trial.
France did, it is true, lose only 20% of its Jewish population – if one counts only Jews with French nationality. They managed this by offering up non-naturalised Jews, aiming to meet their deportation quotas by filling the convoys with foreigners for as long as possible. To make up the promised numbers, the Vichy leadership persuaded the Germans that children should be taken along with their parents, even though most of them had been born in France and were therefore French citizens. And on the day, the official exemptions eg for women in late pregnancy or with new babies were ignored. This deal with the devil did, arguably, save the lives of many naturalised French citizens who were Jews – some were not arrested until much later so giving them slightly better odds of survival, and others had time to find a way of escaping or living under cover. But non-French Jews clearly didn’t count. They were expendable.
And did all the deported children die in the camps? Of those deported after this round-up, yes, all of them. The only survivors were those children who managed to escape either from the velodrome or from the transit camps. And of the 11,400 children deported in total from France, 200 did come back. 200.
So, as I’ve said elsewhere, we must remember, in order to preserve the truth, in order to give back to the victims their names, their voices, their stories.
Pamphlet distributed by the Mouvement national contre le racisme, September 1942.
French mothers and fathers, young people, teachers, educators! When you kiss your child goodnight in bed before their happy sleep, in the morning when you catch their first smile on waking, think of those hellish trains where, crammed in like a herd of beasts on the way to the abbatoir, 2000 little Jewish children, alone, abandoned to their mortal anguish, crying with terror and thirst. Is there anywhere in the world, in all modern history, anything more atrocious, more inhuman, more barbaric than the torture of innocent children? These children, just like yours, have mothers and fathers ready to protect them. But they are dragged from them without pity, with bestial savagery. .. These horrors happen amongst us, on our sweet French earth, with the complicity of the French government collaborating with those who starve us, who loot our treasures, who hold our prisoners, who murder the patriots fighting for a free and happy France….
French Youth! Schoolchildren! Students! When you go back to school, you will find in your classes thousands of empty places. They are those of your Jewish friends, brought up as you are in the love of France. Know that the Pétain-Laval government has handed them over to certain death. Is this the new order? Is this the National Revolution? …
Protest to the authorities! Shelter, protect, hide Jewish children and their families! Do not let them be handed over to Hitler’s killers! Save the honour of France!
From Hélène Berr’s journal:
15 July – Something is about to happen, something which will be a tragedy, perhaps the tragedy. M Simon came here this evening to warn us that there was talk of a round-up of 20,000 people the day after tomorrow.
18 July – I thought on Thursday that life would stop. But it continues. … [Mme Bieder's] sister who has 4 children, has been taken. The evening of the round-up she hid, but unfortunately came back down to the concierge just at the moment they came to look for her … They are separating mothers from their children. I am noting the facts, hastily, so as not to forget, because we must not forget.
16 July 1995, Jacques Chirac:
These black hours will stain our history for ever and are an injury to our past and our traditions. Yes, the criminal madness of the occupant was assisted by the French, by the French state. Fifty-three years ago, on 16 July 1942, 450 policemen and gendarmes, French, under the authority of their leaders, obeyed the demands of the Nazis. That day, in the capital and the Paris region, nearly 10,000 Jewish men, women and children were arrested at home, in the early hours of the morning, and assembled at police stations… France, home of the Enlightenment and the Declaration of the Rights of Man and of the Citizen, land of welcome and asylum, France committed that day the irreparable. Breaking its word, it delivered those it protected to their executioners.
When I started this blog, part of my motivation was to enthuse, if I could, other readers about Michel Butor, and about this novel in particular. The publication of Sebald’s poems which reveal his indebtedness to Butor has helped my cause because there are more people out there reading Sebald than there are reading Butor, and my exploration of the connections between the two writers has intrigued at least one fellow blogger sufficiently to inspire him to read Passing Time. I reblogged earlier this week his reactions to the novel, and promised to post my own response here.
I’ve been lost in this book for years now. I feel as much trapped in it as Revel is in Bleston – of course, I could turn my attention to another of Butor’s many fascinating works, just as Revel could at any point take a train away from Bleston at least for a break. But somehow I always find myself back in the city again, traipsing, as Decayetude has it, around those miserable streets, searching for the dark heart of Bleston. As he says, ‘we are subjects, held prisoner in the book/narrative as Revel is in his own story’.
Exasperating, yes, and rewarding. Irritating, yes, and wonderful. Not quite a masterpiece as set against Sebald’s prose work and Ishiguro’s The Unconsoled? I can’t say – but I would maintain that this is one of the great novels of the mid-twentieth century, one of the richest, most intriguing novels I have read, and one whose interest I cannot seem to exhaust.
To pick up on a few specific observations:
- We’ve discussed the impossibility of actually writing contrapuntally or fugually in relation to an earlier blog post – and I agree, that we cannot in a written work actually hear the different melodies/voices at the same time. But Butor’s sentences echo each other and create an impression of layering, an illusion of polyphony. I want to explore this in much more depth at some future point.
- The musical structure is described as ‘quasi-mathematical’, and indeed one of the many contradictory things about Butor is that he does use mathematical grids and so forth to structure his writing, but that as intellectual, as erudite as his work is, it is always at the same time warm, passionate, idealistic. It never reads like an exercise.
- Revel feels he has blood on his hands. But so does almost everyone – or rather everyone, at least momentarily, seems guilty or dangerous. Horace Buck is almost certainly responsible for some of the fires that are Bleston’s plague. Burton himself writes murders, if he does not commit them. Richard Tenn may possibly be the model for Burton’s fictional fratricide. Jenkins not only comes under suspicion from Revel but suspects himself after a homicidal dream. Even the Bailey women suddenly appear in a sinister light when Revel tells them that he knows the pseudonymous author of the detective novel, so much so that he feels he has betrayed his friend and even endangered his life. In Bleston suspicion and betrayal are in the air.
Decayetude says that there is also ‘in the last pages, a darkness I cannot quite get to the heart of ‘. This is the quintessential experience of the reader of Passing Time. This is what nags at one, that feeling that there is something we’re missing, something at the centre of the labyrinth.
Some critics became quite tetchy in response. W M Frohock, reviewing the novel in 1959, said that ‘the hero… is not completely plausible, psychologically. After all, it is one thing to experience a kind of depression in a city like Bleston, and a different one to stay, month after month, at the bottom of the slough. Even in Bleston, Jacques Revel should really find his situation less grim on some days than he does on others’ (p. 60). Which sounds rather like an exhortation to ‘pull yourself together, Jacques’ .
These responses suggest attempts to read Passing Time as a realistic account of a year in a northern city – understandable, since we begin with what seems to be just that, and since the account is anchored in bus times and street names and the mundane detail of city life. But from the start, from the first page, that terror is present, and it and myriad references on every page tell us that 1950s Manchester is onlyone source for Bleston.
That Manchester at that time should have triggered such an intense response is something I’ve looked at elsewhere. (Aside from anything else, the extremity of the climactic conditions linked to industrial pollution was extraordinary - J B Howitt has talked of the ‘terrifying Manchester fogs … when the phenomenon of temperature-inversion produced near darkness and zero visibility around the clock for days on end’ (p. 54).)
And yet, and yet, there is more than this, and I think there are answers to be had. You just might have to wander those rain-drenched fog-bound mean streets for a long time to find the heart of that darkness….
Frohock, W M, ‘Introduction to Butor’, YFS, 24 (1959), 54-61
Howitt, J B, ‘England and the English in the Novels of Michel Butor’, MA thesis, University of Manchester, April 1972
__, ‘Michel Butor and Manchester’, Nottingham French Studies, 12 (1973), 74-85
Fantastic to know that through my blog one other person has read this extraordinary book! Watch this space for a fuller response to Decayetude’s commentary…
Originally posted on Decayetude's Blog:
I found this novel both exasperating and rewarding. It is the ultimate in self-reflexive, self-aware, postmodernist writing. I do not want to perpetuate that further by writing in a labarynthine, periphrastic style(heaven forfend!), in an attempt at a further layer of self-reflective exegesis, but just to “bulletpoint” some main themes/concerns:
1.TIME: it is contrapuntal(or an attempt thereat) and circular, traipsing(it FEELS like traipsing!) back and forth laboriously, BETWEEN times- in a vain attempt of the narrator, Jacques Revel, to catch up on himself and his year in this alien town, Bleston. This is a comment on the verticality of time(past, present and future contained in the present, particular moment)and, ultimately, the unconquerability and unredemptiveness of time; and also, of course , at the doomed attempt at writing itself to recapture time(the narrator keeps forgetting bits of his-backdated-story!). It is profoundly irritating but wonderful: we are subjects, held prisoner in the book/narrative as Revel…
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Those who’ve known me longest are the most surprised that I run – I spent most of my life strenuously avoiding unnecessary physical activity. However, to my own surprise, I enjoy it. It helps that where I live in Sheffield I can run for a few minutes from my home and find myself looking out over the lovely Rivelin valley, which lifts the spirits, even on a drizzly day. On a sunny day, it makes me want to burst into song (I don’t, as I’m usually too out of breath, and I don’t want to frighten the horses/dog walkers/other runners who are out there too). On the flip side, you can’t run anywhere in Sheffield without having to deal with hills …
The Great Yorkshire Run is a great experience – there’s the full spectrum of runners, from the elite group (who were back across the finish line almost before my ‘wave’ set off) to unlikely runners like me. I’m slow – though I get a tiny bit faster each time – which is fine, it’s a run and not a race, and I’m a middle-aged, traditionally built (thank you Alexander McCall Smith) woman, a pit pony rather than a gazelle. But I keep going – once I start running I don’t stop, till I cross the finish line.
Last year I shaved 3 minutes of my previous year’s time (which itself was 10 minutes faster than I’d ever achieved in training). When I’d slogged up the final cruelly steep hill a sudden spell of dizziness and breathlessness led to an ignominious journey on a golf cart to the medical tent. This year, I’ve had back problems which stopped me training for a few weeks. Despite that, I’ll be doing the Great Yorkshire again this year, wearing the Refugee Action t-shirt.
Anyone who read my Refugee Week‘s worth of blogs about refugees will not be surprised at my choice of charity. It’s really important to me how my country treats people who arrive here seeking sanctuary from persecution, violence and war. My parents offered hospitality to Hungarian refugees after the uprising in 1956. Ten years later we found ourselves in northern Nigeria during the violence that preceded the civil war, when Igbo people were killed in their homes, on the streets, on the university campuses and in hospital wards. Even those trying to escape from Nazi Europe often found their accounts of persecution doubted, and were unwelcome where they sought refuge. You only have to read the reporting in many newspapers of any refugee issues to see how many half-truths and complete falsehoods are trotted out to bolster the view that we should send them all back (or at least send them somewhere else). I know how much Refugee Action does to support these people, and to counter prejudice and misinformation, and I’m proud to be raising funds for this work.
So, if you feel as I do about the importance of this work, please sponsor me here: